​This thesis reimagines lesser-known mythological narratives, focusing on Vishnu's ten incarnations and the Narsimha Avatar, to transcend cultural boundaries while preserving their meaning. It examines theatre as a universal platform for stories confined to puppetry, folk art, and scripture, proposing a touring production blending virtual and physical space. Spatial composition tracks Hiranyakashyap's disintegration: a pristine white world of order collapsing into dark, fractured ruins.